The “Memoir” lends itself to several approaches in the early American survey course and other classes that focus on literature before the Civil War.
1. Nineteenth-century literary culture was rife with literary reviews and critical commentary as responded to America’s flourishing literary culture. Ask students to imagine that they are Zulma Marache and she is writing a review of one of the works found in nineteenth-century literature anthologies.
Based on what they know of Marache’s history and the style and themes of the “Memoir,” what would she agree with, criticize, or appreciate about the text to which she is responding?
(Ralph Waldo Emerson’s
Self-Reliance, Margaret Fuller’s
“The Great Lawsuit” or Harriet Jacobs’
Incidents in the Life of Slave Girl offer intriguing options, although there are many more!)
2. Zulma Marache and Harriet Jacobs, author of
Incidents in the Life of a Slave Girl, were contemporaries. Marache’s engagement and seduction occurred in 1842, the same year Jacobs escaped slavery and made her way to New York City. Although there are clear differences in their stories and lived experiences, there are also similarities that are worth exploring. Some possibilities:
- Ask students to compare and contrast an aspect of each text, such as style, theme, imagery, tone, conflict, etc. They might develop a thesis-driven essay, or approach the assignment creatively. For instance, they could write a one-act play or a series of letters in which the two women exchange information about their lives and texts.
- Invite students to imagine that they are writing biographies of both women. What would they be intrigued by in each woman’s respective text? What would they question, and why? How would they go about answering their questions?
Amp It Up: Advanced undergraduate and graduate students can enhance their arguments with further research and sources such as Jean Fagan Yellin’s
Harriet Jacobs: A Life, digitized sources available at
Harriet Jacobs: Selected Writings and Correspondence, Beyond Seduction and Abortion: The Life and “Memoir”of Zulma Marache, and the sources included in this project’s
Bibliography.2. The rhetoric of seduction provided a powerful framework for mitigating the implications of women’s sexual and reproductive autonomy in the antebellum era. This rhetoric drew on the conventions of late eighteenth-century American seduction novels such as Susanna Rowson’s
Charlotte Temple, Hannah Webster Foster’s
The Coquette, and the lesser-known, anonymously-written
“Amelia; or, the Faithless Briton.” Ask students to compare and contrast one of those novels with District Attorney James R. Whiting’s
closing arguments in
The People vs. Costello. How does Whiting draw on or engage their characters, plots, metaphors, and tone?
Alternately, have students to compare and contrast the
“Memoir” itself to one of the seduction novels named above. How does the “Memoir” draw on, resist, or complement the chosen novel’s message, or Whiting’s interpretation of Zulma Marache and her experience?